The conservation and Restoration - ceramics
Â÷·Ê Contents
¸Ó¸®¸» Introduction
¥°. º¹¿ø Àü ó¸® The pre-restoration treatment
À̹°Áú Á¦°Å¿Í ó¸®Àü Á¶»ç The removal of foreign substance and pre-treatment examination
Å»¿° ‧°È The desalinization and reinforcement
¼¼Ã´ The washing
¥±. Á¢ÇÕ°ú ¼ºÇüƲ Á¦ÀÛ ¹× Àç·á The bonding, mold manufacture and material
Á¢ÇÕ ‧¼ºÇüƲ Á¦ÀÛ ‧Àç·á The bonding, mold manufacture and material
¥². º¹¿ø The restoration
±â¿Í ‧¿Í¹ü ‧Çâ·Î º¹¿ø The restoration of roof tile, mold for root tile, and incense burner
¼øûÀÚ ‧»óÇüûÀÚ º¹¿ø The restoration celadon and sculptural celadon
»ó°¨Ã»ÀÚ º¹¿ø The restoration of inlaid porcelain
ºÐû»ç±â º¹¿ø The restoration of buncheong ware
¹éÀÚ º¹¿ø The restoration of white porcelain
Ã»È ‧Ã¶È ‧µ¿È¹éÀÚ º¹¿ø The restoration of white porcelain painted with cobalt-blue, iron-brown, copper-red
¥³. º¹¿øÀÇ ½ÇÁ¦ The case studies of restoration
¿¬Áú ¿Ë The soft-paste jar
Åä±â Àå°æÈ£ The pottery jar long-naked
Àüµ¹ The brick
»ê°æ¹® Àü The tile with landscape design
ûÀÚ À½°¢ ¿¬È¹® Ç¥Çü ÁÖÀÚ The celadon pitcher with engraved lotus design and gourd-shaped
ºÐû»ç±â Á¶ÈÃÊȹ® Á¢½Ã The dish with incised grass design buncheong ware
ºÐû»ç±â Á¶È¾î¹® Å«Ç׾Ƹ® The big jar with incised fish design buncheong ware
õ¸ñ ´Ù¿Í The chunmok with hare¡¯s fur makings
ÅÂÀÏÀü¸í ŹÀÜ Cup and stand inscription of Tailjun
¹éÀÚ µ¿È ȹ® °¢È£ The beveled jar with flower design white porcelain underglazed copper-red painted
û¹éÀÚ ÁÖ¿Ï The melon-shaped ewer qinbai
Âü°íµµ¼ References